|
|
|
Edgar Degas Study of Hand mk128
Oil on canvas
38x46cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Racecourse mk128
30x40cm
About 1871-1874
|
|
|
|
|
|
|
|
|
|
Edgar Degas Girls comb the hair mk128
Oil on canvas
31x45cm
About 1875-1876
|
|
|
|
|
|
|
|
|
|
Edgar Degas Musician mk128
Oil on canvas
69x49cm
1872
|
|
|
|
|
|
|
|
|
|
Edgar Degas Artist-s Father and Pagand mk128
Oil on canvas
81.3x64.8cm
About 1869-1872
|
|
|
|
|
|
|
|
|
|
Edgar Degas The cotton company of New Orleans mk128
Oil on canvas
73x92cm
1873
|
|
|
|
|
|
|
|
|
|
Edgar Degas Dance mk128
Oil on board
19x27
1872
|
|
|
|
|
|
|
|
|
|
Edgar Degas Mrs. Edgar mk128
Oil on canvas
72.7x92cm
1872-1873
|
|
|
|
|
|
|
|
|
|
Edgar Degas Cafard mk128
Oil on canvas
72.7x92cm
1872-1873
|
|
|
|
|
|
|
|
|
|
Edgar Degas Support mandatory practice mk128
Oil on canvas
74x80cm
About 1876-1877
|
|
|
|
|
|
|
|
|
|
Edgar Degas The man in front of his factory mk128
Oil on cavas
65x50cm
About 1875
|
|
|
|
|
|
|
|
|
|
Edgar Degas Dance mk128
1875-1876
|
|
|
|
|
|
|
|
|
|
Edgar Degas feel wronged and act rashly mk128
Oil on canvas
32x46cm
About 1873-1875
|
|
|
|
|
|
|
|
|
|
Edgar Degas Two Laundryman mk128
46x61cm
About 1876-1878
|
|
|
|
|
|
|
|
|
|
Edgar Degas Portrait mk128
Oil on canvas
61x33cm
About 1876-1877
|
|
|
|
|
|
|
|
|
|
Edgar Degas The Female singer Wearing Gloves mk128
53x41cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas The actress in the tiring room mk128
60x43cm
About 1879
|
|
|
|
|
|
|
|
|
|
Edgar Degas People mk128
Oil on canvas
92x68cm
About 1876
|
|
|
|
|
|
|
|
|
|
Edgar Degas The actress in the tiring room mk128
87x37cm
|
|
|
|
|
|
|
|
|
|
Edgar Degas Dance mk128
Oil on canvas
81x76cm
|
|
|
|
|
|
|
|
| |
|
|
Edgar Degas
|
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
|